Brendan Murphy Moonlight + Sunshine, 2021 Oil on Chrome Panel 72 x 60 x 3 in Murphy’s fingerprint paintings, when crafted using a reflective silver-based chrome, cause viewers to confront themselves while gazing quite literally at his work. . . . . . #BrendanMurphy #Murphy #MoonlightandSunshine #oilonchrome #chrome #art #contemporaryart #contemporarygallery #fingerprint #wordart #lettersinart #fingerart #BurgessModernandContemporary #LasOlasBlvd #newarrival #newtothegallery #

The Rise of the Spaceman & New Artwork Available READ HERE "It's Time To Groove Boonji Spaceman" by Brendan Murphy in Antigua!!! From Town & Country to Departures Magazine, Murphy's international presence is unrelenting. His giant spaceman is generating massive buzz for this contemporary artist. Burgess Modern + Contemporary is proud to offer new artworks by Brendan Murphy as we celebrate his recent achievements. Call 954.524.2100 or email Lisa Burgess at lisa@burgessconte

Part Venn Diagrams, part Executive Office white board Product Flow Mapping, and part Conceptual Mind Charting, Murphy delivers a mélange of artworks that dives deep into the subconsciousness. Brendan Murphy has eloquently blended abstract and figurative forms to impress upon the viewer a sense of universal understanding through realized common-grounds and optimistic channels of philosophical revelations. Incontestable associations of mind and matter manifest artistic driven t

“Math equations and philosophical mind-mapping written on stoic astronaut statues, inside massive thumbprints, and canvases as chalkboards, provide a means to an end for Brendan Murphy’s conceptual diagrams - a Beautiful Mind where universal communications of emotions, wants, and desires takes the form of Contemporary Art Cryptography.”...-D. Dietrich Image: Brendan Murphy Yes, Yes and Yes, 2021 Oil on chrome panel 48 x 36 x 3 in Part Venn Diagrams, part Executive Office whit

Burgess Modern + Contemporary announces the release of the 4 final Kármán Line monotypes in the series of 13, by Jedd Novatt. , published by Burgess Modern + Contemporary, and printed at Thumbprint Editions, London explores rigidly structured formalist notions of minimalism, non-representational art, and geometric identities that sit quietly nestled in the negative / positive spaces. Within the seemingly infinite perceptional tower of upward expansion, spatial relations, and